In Coralie Fargeat's brand-new feminist horror film The Substance, hazardous social appeal standards are the actual beasts. They (women objectification, the fingertip of "the old," the expansion of a sector improved physical body modification) feed a beast of a cycle that leads Demi Moore's fading TV individuality character Elisabeth https://submarinerfilms.nytechwiki.com/10018253/the_substance_2024